ARTISTS
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HALF ME
___Hamburg
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SOME⫢LINEZ
___TOKYO
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BLUE EYED GIANTS
___LONDON
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VICIOUS RAIN
___ZURICH
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HRTLSS
___LONDON
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JESSIE WILLIAMS
___BARCELONA
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ANKOR
___Barcelona
WHO WE ARE
We do not fit in! We are different and we are embracing it!
our art is reflected in our artists. we enhance their voice and we give them all we’ve got to create a sustainable career in music. THEIR mission is OURS.
ELEVEN__EIGHTYTWO is an INDEPENDENT artist development & creative AGENCY.
Artist Management, Tour production, Publishing, label, and media services___
we got you covered!
II8II ELEVEN__EIGHTYTWO II8II
II8II ELEVEN__EIGHTYTWO II8II
THE BRANDS
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The creative child of max maeder
MAX mustache Entertainment combines artist management for high profile and nicHe artists, Producing, international tour management from small club shows all the way to stadium performances, Songwriting and Visual Art.
forged by the fires of the world-famous W:O:A, and years of international touring and management experience of creative talents from Metal acts to influencers.
the company is combining secrets from the corporate music industry with Max’ diy ethics to develop artists and guide you through the wilderness on or off the road
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WE HAVE BEEN HERE FOR A LONG TIME...
BENDIT Entertainment is both a management agency and publishing house based in Zurich/Switzerland.
Bendit has been deeply rooted in the licensing- and sync business since 2008 and has immense expertise From publishing and music production to artist management
Ben started in the music biz in 1995, assisting the management of bands like Helloween and Iron Maiden, learning the craft of licensing with Art Garfunkel and Kool & the Gang, while hustling as a tour manager and booking agent with the Hermes House Band and the Wamdue Project, before founding his own company.
2012 Flo became part of the Bendit family and has been committed to the needs and concerns of our artists ever since. He complements our range and serves artists as an interface between classical and modern approaches to music marketing.
